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Ross Graham is a graphic designer, photographer, Wii-enthusiast, music lover, wistful runner, lawn cutter, former bookseller, soon-to-be-brewer who likes to drive in his car. If you need something designed, produced, edited or just commented on ... well, then let me know. I'll give it a go.
Want this stuff. It’s pretty dang cool. I wonder if the guy up the street from us who makes furniture from branches and trees could swing some of this.
After the second bomb dropped, a Japanese company sent a film crew to document what was happening in the cities – the leveled ground, the dying. They were the only ones filming. If you were an American, you hadn’t seen a thing but a mushroom cloud. The news told you that we’d bombed the Japanese, and why we did it – ostensibly, to end the war.
But the U.S. military stepped in and banned the filming, taking what the Japanese had already recorded. Later, the military selected one of its own to head up a camera crew, Lt. Daniel McGovern, and document this campaign in Japan. They recorded every horror they saw.
What happened to that film, the footage we’d sent soldiers and civilians in to radiation-blasted cities to capture? The government suppressed every bit of film that documented the effects of the bombings and attempted to do the same with photographs. The Japanese film disappeared for more than 20 years. The footage McGovern’s crews recorded vanished for more than 30. We labeled it secret and hid it away.
It’s easy enough to come up with reasons why the government would have wanted to suppress the films — if people saw the sort of devastation atomic bombs could cause, they might not be so quick to support the use of nuclear weapons.
Such well-kept government secrets only reinforce the importance of journalism, even in the age of user-generated content. And we can thank people like McGovern and his crew and the Japanese newsreel team for their bravery.
Today, we have a parallel, of course. How many photos have you seen of dead soldiers in Afghanistan? How many photos of soldiers’ coffins?
The argument for suppressing the photos is that it’s unpatriotic to publish them and pushes a pacifist agenda. It can also be incredibly painful for families to see their dead loved ones in the news.
The argument against is that unless we see what we’re sacrificing, we don’t understand the cost of what we’re engaged in, or the courage it takes to get it done.
Slow down. (via andrew sea james)
This sort of stuff does make me want an iPhone, or at least an internet-enabled camera.
Pezzettino covering “Bitches Ain’t Shit”
Radio? Yip yip yip yip yip yip yip.
From Puddlegum
Great Lake Swimmers released a video for Still, from Lost Channels. The music video was filmed on February 28, 2009 in Toronto, Canada, while the band performs in a room full of friends. The video opens with a relaxed and casual setting; background chatter gives way to the band performing at a house show.
If you haven’t picked up Lost Channels, this is the perfect reminder.
Reminds me I need to get caught up on Mad Men!
If Peggy Vlogged (via SaraBenincasa)